布可告人

相隔數月，終於我最新一季的佛地魔又來入夢，不同於上一次他來跟我update跟現任一天來幾次的挑釁情節，這次居然是來把他送我的紙鳶要回去。一開場整個Setting就十分的虛擬高科技，我用一個黑板大的電腦螢幕與佛地魔MSN(是在五角大廈嗎):

佛地魔:可以請你把我送你的紙鳶還我嗎?
小布:為什麼要還你?
佛地魔:因為他想要…
小布:不要
佛地魔:拜託你，我真的很需要
小布:那你把我送給你的XX都還我…
佛地魔:為什麼
小布:因為我也很需要啊

故事演到這裡，後來的我就不記得了，反正大概最後佛地魔有出現(我的佛地魔還蠻容易現身的…)，然後就講一下話之類的，我也不知我the end到底有無把紙鳶還給佛地魔，純粹是@#$%&的一場夢。

只是什麼時候佛地魔有送過我紙鴛啦!!!!

重點是紙鳶耶，我居然夢到紙鳶耶，哇哩咧……

Def Jam小公主蕾哈娜的最新單曲<Umbrella>，本週同步稱霸英美單曲雙冠軍，輕鬆就以一隻小雨傘讓大西洋兩岸樂迷買單。
同時<Umbrella>這首單曲在一週之內，被付費下載了27萬6千次，打破了iTUNES六年來的紀錄。

Rihanna身為Def Jam的掌上明珠，老闆Jay-Z二話不說為這位最愛女弟子跨刀Rap，也在MV中現身。
Rihanna自然使出渾身解數，大玩復古捲捲頭造型(其實我一開始並不喜歡，但越看越有型)，還全身塗滿銀漆，挑戰十八銅人Look。




P.S.: 今年四月初美國Def Jam Island副總裁來台北向媒體Present時，反應最好的就是這首小雨傘。

來了~真的來了！同事口中最專業+Nice第一名的藝人，Ronan Keating 終於開了他首場在台灣的個人演唱會，雖然演唱會以抒情歌為主，比不上嘻哈或搖滾演唱會的熱鬧，不過台灣歌迷對Ronan的歌曲實在都太熟悉了，尤其安可曲”When you say nothing at all”，前奏吉他聲一響起，全場已陷入瘋狂並開始大合唱(這也是我K歌最愛之一)，整場演唱會最棒的Moment也出現在此，美中不足的是，音響與大螢幕頻頻凸槌，幸好只有一開始前面幾首歌的時候。雖然沒有華麗的燈光與舞台，但Ronan的歌聲讓台下的觀眾回憶起戀愛的心情，Ronan自己也很感謝台灣歌迷從Boyzone時期一直以來的支持，我相信他是真的感動…。

不知為何，當今晚Ronan唱起”Life is a rollercoaster”時，感觸特別地深，起起伏伏也許真的就是人生…。

PS.第一張裸照是Ronan在2006為了慈善募款為英國的Cosmopolitan雜誌拍的照片，許多球員、演員、歌手都響應一絲不掛做善事，不過Ronan 是最具話題性的一位。

Dear Mimi,

trust me, I really love you
但People下的標真的太.....讚了~

另類"蝴蝶"效應
不是Ashton Kutcer的電影
也跟自然科學無關 
Source: Esquire



Like Nelly Furtado, Christina Aguilera, Britney Spears, and Jessica Simpson before her, Joss Stone has become another victim of the "Butterfly Effect." See, when a promising female artist reaches her third or fourth album, they will invariably announce their latest work showcases the "real them." And sadly, that "reality" falls somewhere south of the third-string bartender at Hogs & Heifers and just north of a Hunt's Point pavement pounder.

The phenomenon takes its name from the album that spawned it, Mariah Carey's 1997 opus Butterfly. "Fantasy," her 1995 collaboration with Ol' Dirty Bastard, was a peek at things to come, but that album still bore the saccharine-laden "One Sweet Day" and other territorial markings of then-husband Tommy Mottola. One the divorce papers were signed, Carey's inhibitions and clothing disappeared faster than free sandwiches at a sportswriter's convention and the cry went out: Get me a rapper, any rapper. Diddy answered the call and Mariah's turn as a Bond-girl wannabe in the "Honey" video led to bikini car washes, hotpants flag waving at NASCAR races and, most regrettably, Glitter.

"But how long can you really do the coquette thing, especially with Mariah in her 40s?" asks DeRogatis. "But what do you want her to be -- Patti Smith?"

After Mariah, the Butterfly Effect began spreading like the influenza outbreak of 1918. Jessica Simpson abandoned her Christian roots before pimping out her marriage on a reality TV show, "acting" in The Dukes of Hazzard, and ultimately returning to the Carey blueprint with the post-divorce "real me" album Public Affair last year.

So is there any hope for these young ingenues? Oddly enough, the biggest hope is the worst offender: Christina Aguilera, who bypassed butterfly and went straight to Mothra with 2002's Stripped, where her tour costuming largely consisted of making sure her hair extensions covered the naughty bits.